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Ragtime composers liked to write for important events and occasions, inaugurations, coronations and wedding and funerals etc.
I had the honour of writing a rag for the wedding of the Prince of Wales and Camilla Parker Bowles. "The Royal Wedding Rag" was a wedding gift for the couple in the form of sheet music and CD. This means I haven't allowed the music to be released or used commercially but I have some nice royal thank you letters to keep as souvenirs.
Anyway, after 4 years or so since the happy event I thought I might add the mp3 to this blog for anyone to freely listen to or download.
I also arranged this piece as a piano duet (if I can still find the score) so If anyone would like the sheet music for solo or duet then please let me know.
Composed on the 9th of April 2005
Here's a Raggy piece I wrote about 10 years ago originally for
accordion (Leprechaun Dance) and eventually became a piano
solo called The Magic Lantern Rag. I still can't make my
mind up what to call it!
This frenetic piece is a joy to play and reminds me of the silent movie days (not that I was there). The speed is really at the discretion of the performer.
The strong percussive style highlighted in the middle section features in a number of my ragtime tunes (not sure why though).
I have loved Ragtime ever since I first heard my Uncle Frank play the 'Maple Leaf Rag'
I couldn't decide whether to call this piece 'Ragatina' or
'Ragamuffin' (some might call it Raga-rubbish) but either
way it remains as a nice memorable A-B-A ragtime (ternary
form) composition having fewer sections than a traditional
rag (hence Ragatina).
Play exactly as written with good accents and slurring (not slurrying).
Again, the strong percussive style highlighted in the middle section features in a number of my ragtime tunes (not sure why though).
I have loved Ragtime ever since I first heard Joplin's 'Maple Leaf Rag'. 'Elite Syncopations' also grabbed me.
Not proper ragtime but I call it it Rag/Latin/Classic Fusion.
Originally arranged for a Clarinettist (as was 'Ragatina'
and 'Silent Movie Rag')
It is basically an improvisation generously topped with jazz & blues phrasing. The L.H. dotted crotchet rhythm gives it a distinctive Latin-American 'lilt' and the ridiculously lavish arpeggio section gives it.... I'm not exactly sure!
The 'Lime Wedge' ingredient also features somewhere in the middle.
I still remember my first Cuba Libre in Spain leading to a couple to many...
Composed March 2005 and published in ’10 Character Studies for Piano’ as a replacement for ‘Angels Music Box’
A throw-away rag with too much engine oil. Some technical challenges here for the student.
I will add some more rags when I get a round tuit...
I started out writing a simple novelty tune for students to
improve their ability to play scales in 3rds. The title 'The
3rd Way' popped into my head and thought it was a suitable
title. Soon I was including all kinds of 'new labour'
references in the thing. The fairy dust opening will feature
Mrs Thatcher morphing into Tony Blair.
The twin sugary sweet (con saccharino)
major/minor 3rd progressions at the start are now
representing Tony & Gordon's initial relationship (as the
general spin was). The augmented descending
triads represent an added interval causing new labour to
descend into chaos. The D minor section has the following
words...
To-ny wants' to go to war
May-be he'll get round the law
We
can build a new Je-ru-sa-lem in Bab-y-lon
We're O. K. be-cause
there's wea-pons of mass de-struc-tion.
Jack is not a man of
straw
Claire is such a fright-ful bore
Spinner's weav-ing
all their oil-y plans, mem-oirs grand
Plant the Red Flag in the
Sand!
The fairy dust now shows Blair/Brown morphing into Cameron/Clegg and the 'sweet' music begins all over again...
I just need to start on the video for You-Tube...
All for a little piano etude.